Issue No. 2
Composer Speaks
Dejan Despić – A CONVERSATION WITH VLASTIMIR PERIČIĆ
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Bojana Žižić – A CONVERSATION WITH DRAGUTIN GOSTUŠKI
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Studies
Sonja Marinković – VOJISLAV VUČKOVIĆ AND NEW REALISM
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Ana Kotevska – THE PRINCIPLE OF HIERARCHY (SENIORITY) OF TRADITIONAL MUSICAL VALUES AS A WAY TO MAINTAIN CULTURAL IDENTITY IN WESTERN AFRICA
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Interpretations
Arbo Valdma – RACHMANINOV: SPATIAL AND TEMPORAL(DIS)ORIENTATION
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Ana Stefanović – WHEN COMETH NO SUCCOUR BY IVANA STEFANOVIĆ
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Analyses
Miloje Nikolić – THE DEVELOPMENT OF THE SONG-WREATH FORM IN SERBIAN CHORAL MUSIC BETWEEN THE TWO WORLD WARS
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Research and Tradition
Roksanda Pejović – THE MOCKING OF CHRIST AND OTHER SCENES FROM THE CYCLE OF THE SUFFERINGS OF CHRIST AS ILLUSTRATED BY MUSICAL INSTRUMENTS IN SOUTHERN EUROPEAN ART
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Students' Papers
Sunčana Todrić – THE PROBLEMS OF CREATIVE POETICS OF GYÖRGY LIGETI
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New Works
Zorica Premate – THE MIDGET AND THE BEAST, MUSICA CONCERTANTE BY SRĐAN HOFMAN
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Festivals and Symposia
Dragana Stojanović – II REVIEW OF COMPOSERS, SREMSKI KARLOVCI — NOVI SAD
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Srđan Hofman –THE WEEK OF NEW MUSIC, BUCHAREST
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Danica Petrović – I MEDITERRANEAN MUSIC MEETING IN HERACLION, THE ISLAND OF CRETE
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Danica Petrović – THE MEETING OF THE CANTUSPLANUS GROUP IN EGER
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Dragoslav Dević – CENTERNAR CONSTANTIN BRAILOIU 1893—1993, BUCHAREST
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Mirjana Veselinović-Hofman – MUSIC AS TEXT, FREIBURG
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Tatjana Marković – SYMPOSIUM THE DAYS OF MOKRANJAC; NEGOTIN
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Reviews
Branka Radović – STEVAN ST. MOKRANJAC: SECULAR MUSIC, I BOOK OF SONG-WREATHS
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Arbo Valdma – DRAGOLJUB ŠOBAJIĆ: FRANZ LISZT — CREATOR AND PERFORMER
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