POLYPHONY OF MIRJANA ŽIVKOVIĆ'S PEDAGOGICAL, THEORETICAL AND COMPOSING WORK

SCENES WITH MUSICAL INSTRUMENTS IN BYZANTINE AND POST-BYZANTINE ART

AN ESCAPE FROM THE PLANET OF THE APES: ACCOUNTING FOR CORNELIUS’S INTERNATIONAL RECEPTION

THE STOCKHAUSEN COMPOSITION AND INTERPRETATION COURSES

OUR DREAM OF AN ALLIANCE

THE LATEST SERBIAN OPERA: An Essay on Phantasms of Tradition, Gender Identities And Representation in the Musical Theatre

SUBVERSION OF REVERSIBILITY/REVERSIBILITY OF SUBVERSION. Svetlana Savić: Re-verzije 1-6 za kamerni ansambl (Re-Versio 1-6 for chamber ensemble)

THE “EIGHTH ART”: THE FIRST STEPS OF RADIO BROADCASTING

THE 23TH SYMPOSIUM OF THE STUDY GROUP ON ETHNOCHOREOLOGY OF THE INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC

COMPOSERS IN THE FIRST PERSON

THE 13TH INTERNATIONAL REVIEW OF COMPOSERS

MUZIKA I MEDIJI, zbornik radova (MUSIC AND MEDIA, collection of works)

ROBIN HOLLOWAY: ON MUSIC. ESSAYS AND DIVERSIONS 1963-2003

VESNA MIKIĆ: MUZIKA U TEHNOKULTURI (MUSIC IN TECHNOCULTURE)

BOJANA CVEJIĆ: OTVORENO DELO U MUZICI: BULEZ, ŠTOKHAUZEN, KEJDŽ (AN OPEN WORK IN MUSIC: BOULEZ, STOCKHAUSEN, CAGE)

“CLASSICALITY” IN GUSTAV MAHLER’S SYMPHONIES

OPERA U VREME MEDIJA (OPERA IN THE AGE OF THE MEDIA)

NEOKLASIČNA KONCEPCIJA TONALNOSTI IGORA STRAVINSKOG – RESEMANTIZACIJA (THE NEOCLASSICAL CONCEPTION OF TONALITY OF IGOR STRAVINSKY – RE-SEMANTIZATION)