New Sound No. 27.

COMPOSER SPEAKS
Branka Radović

SEARCHING FOR THE IDENTITY OF THE COMPOSER AND MAN. AN INTERVIEW WITH RASTISLAV KAMBASKOVIĆ



IN MEMORIAM
Roksanda Pejović

COMPOSER DUŠAN KOSTIĆ (23. I 1925 - 6. X 2005)



STUDIES
Branka Radović

DEJAN DESPIĆ: PESMARICA (1950-2004)



INTERPRETATIONS
Sonja Marinković

THE JUBILEE OF SHOSTAKOVICH



VIEWS
Iva Nenić

WORLD MUSIC: FROM TRADITION TO INVENTION



NEW WORKS
Zorica Premate

MUSIC FOR THE END OF POSTMODERNISM


Tatjana Marković

ON/IN THE ORBITS OF ALEKSANDRA VREBALOV


Bojana Cvejić

THE END OF INTUITION. MARKO NIKODIJEVIĆ: MUSIC BOX/SELBSTPORTRAIT MIT LIGETI UND STRAWINSKY (UND MESSIAEN IST AUCH DABEI)



ANALYSES
Anica Sabo

PROBLEMS CONCERNING THE TERMINOLOGICAL DEFINING OF ELEMENTS OF THE STRUCTURAL LEVEL OF THE MUSIC FLOW: THE MUSIC PHRASE



RESEARCH AND TRADITION
Anne Caufriez

THE PORTUGUESE BALLAD AS AN EMBLEMATIC SONG?



STUDENT'S PAPERS
Ivana Vesić

THE LISTENER AND “SPACE FOR WORK” IN ANTON VON WEBERN’S DODECAPHONIC MUSIC



FESTIVALS AND SYMPOSIA
Ivana Stefanović

MUSIC FESTIVALS IN TURKEY


Ivana Stamatović

THE 14TH INTERNATIONAL REVIEW OF COMPOSERS


Mirjana Veselinović-Hofman

“UNYAZI”: ELECTRONIC MUSIC SYMPOSIUM + FESTIVAL 2005



REVIEWS
Ivana Neimarević

IVANA MEDIĆ: KLAVIRSKA MUZIKA VASILIJA MOKRANJCA (THE PIANO MUSIC OF VASILIJE MOKRANJAC)



CD REVIEWS
Vesna Mikić

MILAN MIHAJLOVIĆ: MEMENTO


Melita Milin

VLADAN RADOVANOVIĆ: MUZIKA SFERA (MUSIC OF THE SPHERES)


Selena Rakočević

MUSIC FROM MONTENEGRO



DEFENDED THESES
Bojana Cvejić

CONCEPT, THEORY AND IDEOLOGY OF PERFORMANCE AND PERFORMATIVITY IN XX CENTURY MUSIC. BEYOND MUSICAL WORK: THE PERFORMATIVE PRACTICE OF MUSIC OF ERIK SATIE, FLUXUS, JOHN CAGE, LA MONTE YOUNG AND JOHN ZORN


Ivana Medić

THE THEORY AND PRACTICE OF THE TOTAL WORK OF ART (GESAMTKUNSTWERK) IN THE 20TH CENTURY




*Articles order may be different from paper copy