A WORD FROM THE EDITOR

CREATION IS ONE AND ALWAYS THE SAME... INTERVIEW WITH DIMITRIJE GOLEMOVIĆ

STEVAN STOJANOVIĆ MOKRANJAC – COLLECTOR OF FOLK SONGS AND ETHNOMUSICOLOGIST

CHOIRS IN BELGRADE MUSIC LIFE IN THE FIRST YEARS AFTER WORLD WAR II (1944-1950)

THE SLOVENIAN SINGING SOCIETY – A SYMBOL OF NATIONAL AND CULTURAL IDENTITY

THE RISE OF CHORAL SINGING ORGANIZATIONS IN THE AREA OFBOSANSKA KRAJINA (1878-1941)

SERBIAN CHORAL SOCIETIES IN TUZLA AND BIJELJINA UNTIL 1914

THE ORIGIN AND DEVELOPMENT OF ALBANIAN CHORAL MUSIC

BULGARIAN CHOIRS OVER THE PAST 50 YEARS

CONTEMPORARY CHORAL PRODUCTION IN SLOVENIA

THE NON-PROFESSIONAL ART OF CHORAL SINGING IN HUNGARY

THE SPECIFIC NATURE OF THE ACTIVITIES OF CHORAL SOCIETIES IN A MULTI-ETHNIC CONTEXT: A CASE STUDY OF SERBIAN CHORAL SOCIETIES IN BANAT (PANČEVO AND VELIKI BEČKEREK) IN THE 19TH CENTURY

AN “INVENTED TRADITION” FOR AN “IMAGINED COMMUNITY”: MALE CHORAL SINGING IN NINETEENTH-CENTURY GERMANY*

RHETORICAL STRATEGIES OF SERBIAN CHORAL CHURCH POLYPHONY BEFORE 1914: TOWARDS GENRE DISTINCTIVENESS

THE MAGIC OF NUMBER SEVEN. Ivan Brkljačić: Kada se SEDAM puta digne zavesa... (When the Curtain Rises SEVEN Times...)

PET PESAMA STEFANA MALARMEA (FIVE POEMS OF STÉPHANE MALLARMÉ) BY VLASTIMIR TRAJKOVIĆ

THE DEDICATION OF MAKSIMOVIĆ TO MOKRANJAC. Rukovet (Garland) for the violin, flute and string orchestra

BIENNALE MUSICS ON STAGE (MUSIQUES EN SCENE)

ARTISTIC SIGNPOSTS - THE DAYS OF VLADO S. MILOŠEVIĆ

THE CONFERENCE OF THE INTERNATIONAL ASSOCIATION OF MUSIC LIBRARIES, ARCHIVES AND DOCUMENTATION CENTRES

PLURAL DISCOURSES OF MUSICOLOGY. TATJANA MARKOVIĆ, PhD: TRANSFIGURATIONS OF SERBIAN ROMANTICISM – MUSIC IN THE CONTEXT OF CULTURE STUDIES

REVIEW OF THE PROCEEDINGS OF THE SYMPOSIUM LIFE AND WORK OF VASILIJE MOKRANJAC

MUSIC & NETWORKING

DIMITRIJE GOLEMOVIĆ: MAN AS A MUSICAL BEING