New Sound No. 30.
SOUND TIDES . CONVERSATION WITH MIGUEL AZGUIME
THE STORY OF THE BALLAD IN MUSIC
SERBIAN FOLK BALLADS AND ETHNOMUSICOLOGY. A MISSION IMPOSSIBLE
THE SLOVENIAN FOLK BALLAD: A GENRE ENIGMA
PORTUGUESE BALLAD, ITS SPECIFICITIES AND OFFSHOOTS IN THE MEDITERRANEAN
OTHMAR SCHOECK’S CHORAL BALLAD DER POSTILLON, AND HOW NOT TO WRITE AN OPERA
EXPLORING CHOPIN’S ‘POLISH BALLADE’
THE FIRST AND THE LAST – ZDRAVKO ČOLIĆ – THE ‘GURU’ OF POP BALLAD
JAZZ STANDARDS OF A BALLAD CHARACTER
ANOTHER CONTEMPORARY CONTRIBUTION TO THE CONTEXTUALIZATION OF THE PASSACAGLIA. About Jugoslav Bošnjak’s work Sinfonia – passacaglia
BERISLAV POPOVIĆ: A BALLAD ABOUT LOST TONALITY
A SEMIOLOGICAL ANALYSIS OF THE SONG MOLITVA
REVIEW OF THE 39TH CONFERENCE OF ICTM
’’PASSAGEN – TRANSITIONS’’. 18TH INTERNATIONAL CONGRESS OF INTERNATIONAL MUSICOLOGICAL SOCIETY
VLADAN RADOVANOVIĆ: SINTEZIJSKA UMETNOST (SYNTHESIC ART)
DRAGANA JEREMIĆ-MOLNAR: SRPSKA KLAVIRSKA MUZIKA U DOBA ROMANTIZMA, 1841-1914 (SERBIAN PIANO MUSIC IN THE EPOCH OF ROMANTICISM, 1841-1914)
WAGNER’S BOOK OPERA AND DRAMA TODAY
ON PERFORMING. From ONTOLOGY to PERFORMATIVITY in and on MUSIC
LAURENT AUBERT: THE MUSIC OF THE OTHER
THE SOUND CHRONICLE OF WARSAW AUTUMN 2005
THE PROCESSES OF PAN-STYLISTIC MUSICAL THINKING
THE RITUAL SONGS OF THE WINTER SEMESTER – THE SYSTEM OF SOUND SIGNS IN THE SOUTH-EASTERN SERBIAN TRADITION
THE LAWS OF MELOPOETIC SHAPING OF SERBIAN FOLK SONGS AS A BASIS FOR THE METHODOLOGY OF FORMAL ANALYSIS
