INTRODUCTION

IMPROVISATION. AN ANNOTATED INVENTORY

IMPROVISATION AS A CALL FOR COMMUNICATION

TWO ASPECTS OF UTILIZATION OF IMPROVISATION IN THE ORTHODOX CHURCH CHANTING TRADITION

ORGAN IMPROVISATION IN GERMAN FUNDAMENTA OF THE 15th CENTURY

ORGAN IMPROVISATION – AN INTRODUCTION

IMPROVISATION VERSUS REPRODUCTION, INDIA AND THE WORLD

(RE)CREATING THE PAST: BAROQUE IMPROVISATION IN THE EARLY MUSIC REVIVAL

IMPROVISING MUSIC / IMPROVISING RELATIONSHIPS: MUSICAL IMPROVISATION AND INTER-RELATIONAL ETHICS

IMPROVISATION, COMPUTERS, AND PRIMARY PROCESS: WHY IMPROVISE WITH COMPUTERS?

SEARCH AND REFLECT: THE CHANGING PRACTICE OF IMPROVISATION

CONTEMPORARY IMPROVISATION FOR CLASSICAL MUSICIANS

SILENCE AS IMPROVISATION

TIME OUT OF TIME: DERRIDA, CIXOUS, IMPROVISATION

ONE TIME ALONE. IMPROVISATION TAKES PLACE

SURPASSING IMPROVISATION? STOCKHAUSEN’S CONCEPT OF INTUITIVE MUSIC

‘LET ME TELL THE STORY FROM THE BEGINNING’ About the stage cantata Atlas by Anja Đorđević

THE DRAMATURGICAL FUNCTION OF THE IMPROVISATORY SEGMENTS OF FORM IN ALFRED SCHNITTKE'S FIRST SYMPHONY

FANTASIA QUASI UNA SONATA. IMPROVISATION ON SONATA PLATFORM AS A FORM-SHAPING PRINCIPLE IN THE FANTASIES OF CARL PHILIPP EMANUEL BACH

TRADITION AS THE INSPIRATION FOR THE INTERNATIONAL SCIENTIFIC CONFERENCE HELD DURING THE NINTH MANIFESTATION OF THE VLADO S. MILOŠEVIĆ’S DAYS

MUSIC AND DANCE OF SOUTH-EASTERN EUROPE

GIACINTO SCELSI TODAY

PROCEEDINGS OF MUSIC THEORY DEPARTMENT. MUSIC THEORY AND ANALYSIS 4

REVIEW OF IVANA ILIĆ’S BOOK THE FATAL WOMAN

CLOSENESS OF VIEW. MIRJANA VESELINOVIĆ-HOFMAN: PRED MUZIČKIM DELOM (FACING A MUSICAL WORK)

ALEKSANDAR PAVLOVIĆ: ANTHOLOGY OF THE SERBIAN MUSIC OF THE 20TH CENTURY FOR STRINGS