VOCALISE AND THE EXPERIENCE OF PROSOPOPOEIA OF ANJA ĐORĐEVIĆ

LIED: FROM HAUSMUSIK TO FILM
On the example of Franz Schubert's Winterreise

CONCERT METAMORPHOSES OF IN/VISIBLE AND IN/AUDIBLE

DRAMA WITH MUSIC DIE GLÜCKLICHE HAND BY ARNOLD SCHÖNBERG AS A MULTIMEDIA PROJECT

DEMATERIALIZATION OF THE STAGE
(Epistemology of New Media in Performance Arts and Music)

MONSTERIZATION OF SINGING: POLITICS OF VOCAL EXISTENCE

SOCIALIST STAGE: POLITICS OF PLACE IN MUSICAL PERFORMANCE

ENTERING THE STAGE – MUSICIANS AS PERFORMERS IN CONTEMPORARY MUSIC THEATRE

APPROPRIATED MUSIC – AN ALTERED SYSTEM OF RELATIONSHIPS BETWEEN MUSIC AND IMAGE

MUSIC AND THE SCENE IN STAGE PRODUCTIONS OF ANCIENT DRAMAS AND COMEDIES IN GREECE IN THE LAST DECADES OF THE TWENTIETH CENTURY

 MILICA PARANOSIĆ: POSTCARDS

TWO FACES OF OPERA
Premieres of new Serbian operas: Hasanaginica by Rastislav Kambasković and Mandragola by Ivan Jevtić

NEW OPPORTUNITIES FOR ROMANIAN FOLK ENSEMBLE PERFORMERS: HOW THE AVAILABILITY OF MODERN TECHNOLOGIES HAS CONTRIBUTED TO 21ST CENTURY FOLK PERFORMANCE STRATEGIES IN TIMIŞOARA

COPY&PASTE – MINE, YOURS, OURS UNDER DISCUSSION
The 23rd International Student Symposium of DVSM e.V.
Institute for Musicology, University of Vienna, 9–12 October 2009

THE SECOND ALL-RUSSIAN CONGRESS OF FOLKLORISTS
National Republican Centre for Russian Folklore
Moscow, 1–5 February 2010

LIGETI’S LE GRAND MACABRE IN LONDON

ETHNOMUSICOLOGY BETWEEN ANTHROPOLOGY AND SEMIOLOGY

PAVLE STEFANOVIĆ: PUTEVIMA SIMFONIJE [THE ROADS OF THE SYMPHONY]

 STANA ĐURIĆ-KLAJN AND SERBIAN MUSICOLOGY
On the occasion of the hundredth anniversary of the birth of Stana Đurić-Klajn (1908-1986), Serbian Musicological Society, Belgrade 2010