Issue No. 3
Composer Speaks
Branka Radović – UTOPIA OR REALITY: THE PATH FROM A POPULAR SONG TO
A SYMPHONY AND OPERA. A CONVERSATION WITH NIKOLA HERCIGONJA
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Tijana Popović – MULTIPLICITY AND COHERENCE. A CONVERSATION WITH SRĐAN HOFMAN
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Studies
Mladen Marković – ETHNOMUSICOLOGY IN SERBIA
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Marija Kovač – THE PIANO AS THE ALTER-EGO OF VASILIJE MOKRANJAC
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Gorica Pilipović – DUŠAN RADIĆ AND THE SOCIALIST REALISM
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Maks Stern – THE CONCEPT OF TIME IN COMPOSITIONS INVOLVING
DETERMINACY AND IMPROVISATION
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Carole Gubernikoff – JOHN CAGE: SONATAS AND INTERLUDES FOR PREPARED PIANO;
MUSIC OF CHANGES
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Analyses
Anica Sabo – ALEKSANDAR OBRADOVIĆ: CONCERTO FOR VIOLIN AND STRINGS AND MUSIC FOR PIANO AND STRINGS
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Valentina Sandu-Dediu – DOINA ROTARU: THE FLUTE CONCERTOS
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Research and Tradition
Roksanda Pejović – THE MUSIC LIFE OF SERBIAN POPULATION ON CROATIAN TERRITORIES CROATIAN GUEST MUSICIANS AND MUSIC ENSEMBLES IN SERBIA AND VOJVODINA (1875–1918)
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Dragoljub Šobajić – TRACING PEDAGOGICAL PUBLICATIONS FOR THE PIANO IN SERBIA
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Students' Papers
Ana Kara-Pešić – UNDERSTANDING THE RELATIONSHIP BETWEEN MUSIC AND TEXT ON THE
BASIS OF THE WRITINGS OF WITOLD LUTOSLAWSKI
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New Works
Branka Radović – A MIRROR FACING A MIRROR, MUSICA SIORANU BY ŽARKO MIRKOVIĆ
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Festivals and Symposia
Dimitrije O. Golemović – THE INTERNATIONAL CONFERENCE ON BALKAN TOWN MUSIC CULTURE
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Borislav Čičovački – THE (UN)FORGOTTEN MUSIC, AMSTERDAM
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Dragana Stojanović – THE SERBIAN MUSICAL SCENE, BELGRADE
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Reviews
Mirjana Vukićević-Zakić – THE MAGICAL AND AESTHETIC IN THE SERBIAN RITUAL AND MUSICAL-FOLKLORE HERITAGE
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Milica Gajić – EMIL HAJEK: OF MUSIC AND MUSICIANS
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Dragana Stojanović – 100 YEARS OF PIANO MUSIC
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Dragana Stojanović – PUPPETS IN THE 20TH CENTURY MUSIC
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Jasminka Dokmanović – JOHN BLACKING: HOW MUSICAL IS MAN?
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